Flora Crockett

CLOTH & KIND // Curated, Introducing Must-Know Artist Flora Crockett

That last name sounds familiar.  We associate it with a man who had an adventurous and independent spirit: Davy Crockett.  Turns out that Davy's trailblazing qualities have traveled the generations and were imbued in his ancestor, artist Flora Crockett.

CLOTH & KIND // Curated, Introducing Must-Know Artist Flora Crockett

Never heard of Flora Crockett?   Well it's time you did.  The paintings by this forgotten artist were recently lauded by leading art critic, Roberta Smith, for the  New York Times as " a body of work that could hold its own in the collections of the Whitney Museum of American Art or the Museum of Modern Art and in the history of abstract painting." Roberta's "first sighting" of this extraordinary work took place at  an exhibition mounted by Meredith Ward at her New York City gallery.  The very day Roberta published her discovery, I hurried uptown to see the works for myself. 

CLOTH & KIND // Curated, Introducing Must-Know Artist Flora Crockett

My first hand view did not disappoint.  Crockett's paintings are sparkling.  Her color sense  is joyous.  Hues of complimentary colors of orange and blue, red and mint green, yellow and lavender are brushed on loosely in biomorphic and  geometric shapes.  

CLOTH & KIND // Curated, Introducing Must-Know Artist Flora Crockett

In later works, Crockett further defines shapes, and speaks to negative space, by delineating her canvases with bright, tangled lines.

CLOTH & KIND // Curated, Introducing Must-Know Artist Flora Crockett

Crockett paints with a knowing hand.  One can see the influence of famous artists like Leger, Miro, and Kandinsky. But Crockett has a signature, crisp, beaming color palette and her free-flowing compositions are unique.  Take a look at this painting by Crockett on the left and  Kandinsky on the right to compare:

CLOTH & KIND // Curated, Introducing Must-Know Artist Flora Crockett

Crockett's artwork also reflects the time that it was painted.  This body of work was completed between 1965 to 1973 when Crockett was in her seventies.  It was just after the Color Field paintings of artists such as Rothko and Frankenthaler re-invigorated the use of color by making it the point of their work. This painting by Crockett in particular recalls the blocks of color employed by those artists.

CLOTH & KIND // Curated, Introducing Must-Know Artist Flora Crockett

By now, you are likely wondering why you never heard of Flora Crockett before.  It is a classic tale of a struggling artist working hard to support herself while trying to save money so she could take time off to paint.  Sadly the pressures of putting food on the table seemed to impinge on Crockett's artistic creation.  A graduate of Oberlin College with a major in art and mathematics,   Crockett was employed in the fields of art education, design, sales and engineering during her life.  This left time for only 3 solo art shows in her lifetime, the last one in 1946.  

Yet her efforts to further her own art education show that her art remained very important to her.  In 1918, she married an Italian sculptor and, in 1924, they moved to Paris.  There, Crockett found work directing a school for orphans.  Somehow she also was able to continue her education at the Sorbonne, the Louvre and Leger's  Acadamie Moderne, where she eventually became the director.  

After her marriage failed, she returned to New York in 1937, and in 1940, she rented an apartment on 14th street. She lived and painted there for the rest of her life, holding down a variety of jobs to make ends meet. Her last art show was a group exhibition in New York's Overseas Press Club of America in 1965 when Crockett was 73.  Interestingly, all of the paintings so celebrated by the New York Times  (and seen in this post), were painted after that show. 

CLOTH & KIND // Curated, Introducing Must-Know Artist Flora Crockett

What sparked this late-in-life creative explosion?  Meredith Ward explained to me that by the time Crockett reached her seventies, she was able to retire and finally could devote her days to her passion, ushering in her most productive artistic period.  Flora Crockett painted solely for her own pleasure, in her little 14th street apartment, which, in part, explains the paintings' modest size (most are only 24" wide).  According to Meredith, at this stage Crockett would not even let her family see her work, turning canvases around to face the wall whenever someone came to the apartment.  It's fascinating.  Given the freedom of leisure, Crockett's creative genius finally and exuberantly burst forth.  And, with the confidence of age,  she kept it all to herself, not needing the affirmation of others.

CLOTH & KIND // Curated, Introducing Must-Know Artist Flora Crockett

After Crockett's death in 1979, her nephew, Austin Hart Emery, inherited her paintings.  He stored them in a barn in Albany.  Meredith Ward told me she heard of the works through a friend, who then introduced Meredith to Emery's daughter Mary Emery Lacoursiere, an artist and designer living in Nantucket.  

When Meredith Ward saw photographs of the paintings, she was immediately intrigued by this forgotten artist and began the process of cleaning the paintings and mounting the current exhibition.  She hinted that there may be more works by Crockett still in storage. How fabulous.  

CLOTH & KIND // Curated, Introducing Must-Know Artist Flora Crockett

Will the Whitney or MOMA heed Roberta Smith's advice and purchase a Flora Crockett? I hope so.  It would be sad if these dynamic and happy paintings were hidden away in private collections.  The world should finally be able to appreciate the art of Flora Crockett.

CLOTH & KIND // Curated, Introducing Must-Know Artist Flora Crockett

Photo Credits // Except for the painting by Kandinsky from, and the image of Flora Crockett from Meredith Ward, all images of paintings by Flora Crockett are by Lynn Byrne.




Alison Causer

Emerging artist Alison Causer spends all day in a room without a window. But she is not hemmed in. 

When asked what we need to know about her,  Alison rapidly responds, "I love yellow."  The sun shines in Alison's studio (which also serves as her living room).  With her bold abstract paintings, baring evocative titles such as "Self Portrait" and "What I see When I Close My Eyes," it's clear that windows are unnecessary for this artist.

On a recent visit, soft jazz is playing in the background, calming me in preparation for the onslaught of vibrant hues covering the 4 walls of Alison's studio.  Alison says she finds color "irresistible" and that is as obvious as the color wheel on her mood board. 

Canvases are everywhere.  Alison explains that she creates her very gestural, colorful abstract art quickly.  Since she paints in oil, which takes ample drying time, she works on multiple pieces at once.  This allows her to employ the layering technique that gives her paintings such great depth. 

Alison likens her paintings to a puzzle, and each day she searches for the key.  When the code is cracked, the piece is done.  It's not surprising that this artist begins each work day with a 15 minute meditation.  In those quiet moments, she reaches deep inside to the root of her creativity, explaining that in essence, painting is an "awareness of yourself."

Meditation often is followed by Alison rapidly executing small studies that serve as a warm up for her larger works.  Charmingly, these small studies are painted on the 8"x 8" paint swatches supplied by house paint company Benjamin Moore, quite familiar to most interior designers. 

This very visual person also turns to the correspondence of Vincent Van Gogh when in need of inspiration.  Alison urges us to "forget the rumors," adding that Van Gogh's letters prove that there was a "real human behind every stroke of his art."

Alison was trained at the Columbus College of Art and Design (CCAD) in Columbus Ohio, but she has been an artist ever since she can remember.  She fondly recalls a gift at age 7 or 8 from her parents of a flip top desk with compartments along the side to hold paint brushes and watercolors.  Once, as a youngster, she executed a painting on a piece of bark.  She still beams today when she remembers how impressed her father was at the time, and how they both gloried in her "pure enjoyment of creation."

Alison's training at CCAD was quite formal and focused on realism.  While she has mastered the techniques needed to produce still lifes, landscapes and the like, non-pictorial, conceptual works are what come from within her.  Color, and the ability to forge different emotions by combining various shades, are her motivating force.  Though she is an an abstract artist, she loves Impressionism, and the artists Matisse, Monet and Van Gogh, citing their masterful use of color as the reason they appeal to her. 

After art school, Alison first became an interior designer (Aha! That's where she got the idea to use the Ben Moore color swatches for her works on paper.)  But soon she missed her art, and left Ohio to come to New York "for an adventure." At the time, she only had one friend there. 

She is now happily ensconced in Brooklyn with her partner Michael, spending her time painting, teaching art and doing a bit of interior styling "to help pay the bills."  Her goal this year is to paint full time.  And while Alison and Michael's living room-cum-studio may lack a window, it certainly does not lack in views. 

Find Alison on Instagram and on her website where she maintains an online shop, mostly stocked with her small studies.  Alison urges you to contact her directly if you are interested in a larger work. Right now her paintings are very accessible.  Best hurry up. 

Image Credits // Header image, first three images of  artwork and image of Alison painting, courtesy of Alison Causer.   All other photographs by Lynn Byrne of Decor Arts Now.