Anatomy of Flora: Spring II

Guest edited by Tami Ramsay

Anatomy of Flora: Spring II | Guest Edited by Tami Ramsay | CLOTH & KIND
My memories of the early years of my marriage to Robert are in so many ways tied to the garden we first created together. Our first home was a tiny cottage, built in the early 1930s originally as a mother-in-law suite for another home, in the historic Cobbham neighborhood in Athens, GA. The original property, a wide and deep old pecan grove tract, had been divided at some point in the past to separate the main house from the cottage, leaving the lion’s share of the land to the latter. When we acquired the cottage, built from field stones collected from local terraced farm land, it was barely visible from the street, obscured from view by seventy plus years of unbridled overgrowth. It had literally become a beast of the southern wild. We cut our teeth the hard way clearing away tenacious invasives like bamboo, ligustrum, potato vine, and Chinese privet along with enough liriope to fill several dump trucks. The experience turned us into gardening snobs in the process and thus we decided we would only grow natives plants, or highly prized imports, in our new garden landscape. We were young and in love and childless and had time to be haughty, and ridiculous, about such things.

Anatomy of Flora: Spring II | Guest Edited by Tami Ramsay | CLOTH & KIND
We had many gardeners who influenced our choices but we made most of our decisions based on the native plants propagated and sold at the State Botanical Garden of Georgia spring plant sale. One of our first purchases was a Flame Azalea above, or Rhododendron calendulaceum, a deciduous native plant that can be found in abundance in the wild of the southern Appalachians. We took great pride in choosing this variety of azalea for our garden, over the more common, albeit gorgeous, other azalea varieties found in our Piedmont region. It was more about plant selection then and less about the simple beauty. What I see now, 14 years after we first planted it, is how those upright branches give way to orangey-coral clusters of vase shaped flowers and the stunning silhouette it casts against a crystal blue sky.

Anatomy of Flora: Spring II | Guest Edited by Tami Ramsay | CLOTH & KIND

One of the reasons this property so appealed to us was our discovery of a stone walled sunken flagstone patio with a tiny pond, long forgotten and abandoned, which was nestled beneath a canopy of old growth dogwoods and pecan trees. As we unearthed the patio and its perimeter beds, we discovered the peeking heads of southern shield fern fronds (Dryopteris ludoviciana), another native to the southeastern United States, buried under deep leaf mulch. We also found the non-native buttercup english ivy (Hedera helix), starting its tentacled climb up the craggy patio walls, an across the pond visitor that earned its stay by being just too freaking cute with its miniature variegated creamy yellow and chartreuse green leaves. Gathered together unselfconsciously in a vintage medicine cup above, against the stunning backdrop of Katie Ridder‘s Moonflower wallpaper, this floral triumvirate of flame azalea, hairy fern shoots, and ivy just takes my breath away. And I couldn’t care less about the horticultural pedigree.

Anatomy of Flora: Spring II | Guest Edited by Tami Ramsay | CLOTH & KIND

My current garden now includes only plants that make me happy. I certainly have lots of natives but plenty of the plants in my garden are simply visitors to the area that tolerate the climate well. I avoid invasives like the plague, but will invite just about any other plant to my garden so long as a brush past it makes me stop and smile. And, of course, if it looks good in a vase.

IMAGES | Floral styling, arrangements and photography by Tami Ramsay

Limelight: Rebecca Atwood

Limelight: Rebecca Atwood | CLOTH & KIND
Hi. my name is…
Rebecca Atwood

My company is…
Rebecca Atwood Designs

I’m the…
Creative Director and Founder

I make/design/create…
I design and make hand painted, printed, and dyed pillows as well as small paintings.

Limelight: Rebecca Atwood | CLOTH & KIND

Something you need to know about me is…
I grew up in a restaurant on Cape Cod – surrounded by the ocean, antiques, and great food!

Limelight: Rebecca Atwood | CLOTH & KIND

Here’s how this company came to be…
I have been designing home products for retailers for about 6 years and wanted a new challenge, and to create product that I believed in.  The idea to start my own collection began as a small idea and became something I couldn’t shake – so I decided to give it a try!  I’ve started small and I have plans to grow the business with each season.

Limelight: Rebecca Atwood | CLOTH & KIND

My absolute favorite thing we sell right now is…
That’s a hard one! Honestly everything in the collection is something I personally love and would have in my home.  That’s a rule!  A few favorites would be:

Limelight: Rebecca Atwood | CLOTH & KIND
1 | 2 | 3

Here’s a sneak peek of something we’re working on now…
I only made one of these over-sized (22”x32”) pillows, and decided to keep it for myself.  It’s so comfy and cozy, perfect for leaning into when reading.  This will definitely be something I carry in the next collection.

Limelight: Rebecca Atwood | CLOTH & KIND

I’m most proud of…
Taking the leap! It’s scary to take a big jump like this but I am so happy I did.

I really detest…
I can’t say there is anything I really detest, but the financial aspects of running a business like bookkeeping are definitely not my favorite!

I could never have done it without this person…
My husband Steve – He’s been so supportive and encouraging.

I consistently read these for inspiration…
I am always reading blogs, and I never miss an issue of Lonny magazine.  My favorite printed magazine is probably Australian Vogue Living. I also think it’s really important to get offline, out of the magazines, and books and Pinterest.  I need to spend time making things in the studio, go to an exhibit, walk around the neighborhood – for me that is where most of the inspiration happens.

Limelight: Rebecca Atwood | CLOTH & KIND

I would like to share the limelight with…
There are many people I would like to work with.  I really love to collaborate with other creative women, which is what I did for my website.  I worked with Erika Brechtel of Small Shop Studio for the design, Zoe Rooney for the development, and Nicole Franzen for the photography.  I hope to collaborate with some key boutiques around the country next.

Limelight: Rebecca Atwood | CLOTH & KIND

IMAGE CREDITS | All images provided by Rebecca Atwood, her siteblogInstagram.

Anatomy of Flora: Spring I

Guest edited by Tami Ramsay.
Anatomy of Flora: Spring I  by Guest Editor Tami Ramsay | CLOTH & KIND

It’s Spring, well, technically. Marked by the Vernal Equinox on 20 March 2013, relative equal days and nights are upon those of us in the Northern hemisphere, whether your sidewalks are still covered in snow or your native azaleas are in full bloom. Invariably though, I liken Spring to a slow boil, the kind that takes forever when you are pot watching, and only bubbles when you finally walk away to visit the loo. Spring is a bit of a flirt too, teasing you with enough warm and sunny days to ensnare your loyalty, but then like a classic photo bomb, ruins a good thing of tank tops and flip flops with a cold snap that makes you regret that recent seasonal overhaul of your closet.

Alas, though, I am a willing mistress to Spring and hang on to all that it promises, even when I come up jilted and cold. Some of the first early Spring bloomers in my region, known as Zone VIII, are the tulip magnolia, the loropetalum chinense, and the common flowering dogwood. Each of these beauties appeals to me for different reasons but when combined and artfully arranged together, I am overwhelmed by their modern and graphic effect. Pair that with sun streaming through the window, casting its golden glow on buds in bloom, and it’s got to be Spring o’clock somewhere.

Anatomy of Flora: Spring I by Guest Editor Tami Ramsay | CLOTH & KIND

The tulip magnolia, also known as the Japanese magnolia, is actually a deciduous shrub, but presents rather as a small to mid-sized tree, that kicks off early Spring with a profusion of large pink to purple provocative flowers, all before shedding them and assuming its role as a common, less than showy and leafy specimen. But when that bloom erupts on that woody stem, its like Heaven and Hades meet, with a splash of love and heat.

Although the white variety of loropetalum has its place in the garden, the pink flowering variety featured above, often referred to as a Chinese fringe flower, is my favorite. When this deciduous shrub is left unattended, sans pruning to a tight hedge, a subsequent leggy-ness prevails which leaves the branches swaying at the mercy of the wind’s movement, and encourages the long eyelash-like petals to flit and float this way and that. The combination of those hot pink strappy petals, along with their lilt and lightness, totally slays me, every time.

Dogwood | Anatomy of Flora: Spring I by Guest Editor Tami Ramsay | CLOTH & KIND
Relatively synonymous with Spring and the Southern landscape is any variety of Cornus florida, or the flowering dogwood, and its characteristic petal bearing flowers–a total showstopper in all its glory. Nothing screams new beginnings and beckons warm days more than the budding of millions of tight little fists of dogwood flowers, just trembling with anticipation of busting out of their nubby incubators; but, it is folly to be fooled completely by these blooms. Commonly referred to in the Farmer’s Almanac as a Dogwood Winter, a colloquial term used in the American Southeast, farmers knew it wasn’t safe to plant their crops without fear of frost until after these blooms had come and gone. Even still, those tightly packed pink and green tinged flowers make for a very textural and graphic accompaniment to the tulip magnolia and loropetalum below, nestled in a silver compote and finished with black shredded pine mulch.

Anatomy of Flora: Spring I by Guest Editor Tami Ramsay | CLOTH & KIND

Whether you are sipping hot cocoa by the fire or drinking ice cold sweet tea in the garden, Spring has sprung. Let the show begin!

IMAGES | Floral styling, arrangements and photography by Tami Ramsay

Fab Five: Fancy Feathers

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Anatomy of Flora: Winter III

Guest edited by Tami Ramsay

When I was in college, I loved to run along the side streets off Milledge Avenue in Athens, Georgia to take in the curb appeal of the all the little bungalows that dotted the way. I had no idea then that one of my favorite houses, a 1920s Tudor style stucco, would one day become a home for my family some 20 years later. One of my favorite visual vignettes about that particular house was its side porch which was beautifully flanked by a profusion of old fashioned pearl bush. It was a showstopper. By the time we bought the home, the owner, who I later learned had danced many a jig on that side porch, had suffered a long illness and ultimately died, and in the midst of that the home had fallen into a state of disrepair. The interior plaster walls and ceilings were badly cracked and crumbling, the exterior a long forgotten landscape having been overtaken by underbrush and bamboo, but the pearl bush remained a steadfast and bountiful bastion. That bush, along with the two mid-century brass and lucite light fixtures hanging from the barrel vaulted ceiling in the living room, had me at one foot in the front door. I bought the house on the spot.



Over the past few years, my design aesthetic with floral arrangements has gone the way of less is more with a keen appreciation for negative space. I find myself drawn to leggy stems, especially ones that lilt this way and that, and branches that that are gnarled and knotty, smacking of arthritic metatarsals. I am completely fascinated with the sense of movement created by those shapes and lines and the resultant dissecting and highlighting of the surrounding space. I recently discovered the beauty of charcoal and vermiculite, additives commonly used in terrariums as a soilless medium, but have been using them instead as elements in design. The charcoal, with its matte black and chipped face, is the perfect substrate and creates a fine gravel base from which these leggy stems emerge. A light sprinkling of coarse vermiculite, diamonds in the rough of the dark charcoal, add a nice touch of twinkle.



I especially love using vessels with a footed base to add height to an arrangement, and in this case, a milk glass chalice, to compliment the milky white pearl bush. Nestled in the corner of my mudroom, on the ledge of the original metal casement window, the pearl bush blooms march out along its branches, but unlike most plants, does so on old growth covered in dried pods from seasons past. For me, therein lies the beauty and wonder of the pearl bush. It reminds me that I need my past experiences, even the really hard ones, to inform the beauty of my new growth.

IMAGES | Floral styling, arrangements and photography by Tami Ramsay

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