Provenance: Toran

prov-e-nance \ˈpräv-nən(t)s, ˈprä-və-ˌnän(t)s\
noun. the place of origin or earliest known history of something.

Guest edited by Jacqueline Wein, Tokyo Jinja
Provenance: Toran | Guest Edited by Jacqueline Wein | CLOTH & KIND
IMAGE | Antique Toran via The Textile Museum of Canada

A number of years ago I spied a charming doorway textile at the home of a dear friend. Clearly Indian in origin, it was a rectangular banner with small fabric flaps hanging down and tiny mirrors embedded in the pattern. She told me it was a toran, a hand embroidered and embellished door hanging, traditionally made in Gujarat, on the coast of Northwestern India. My fascination with them grew and over the years I have continued to keep an eye out for them.

The word toran (or torana) itself originally referred to sacred gateways in Indian architecture, with roots in Buddhism and Hinduism, like this pair of 12th century sandstone ones in Vadnagar, Gujarat. It is easy to see the connection between the embroidery of the fabric hangings and the detailed stone carvings, as well as in their function to welcome both the gods and people. Decorative toran also play a role in holidays like Diwali and Holi or at weddings and celebrations as they are believed to be auspicious and lucky. The doorway blesses every person that walks under it, showering them with an abundance of love, prosperity, health and happiness. While the heavily embroidered ones tend to be regional to Gujarat, toran in other forms are popular throughout India. In the south, green mango tree leaves are threaded together and hung across the door. In Northern India, marigold flowers are strung together and used the same way. The small flaps that hang from the fabric versions are meant to represent dangling leaves and flowers.

Provenance: Toran | Guest Edited by Jacqueline Wein | CLOTH & KIND
IMAGES | Torana Arch via Vadnagar, An Ancient City & Marigold Garland via Mitai and Marigolds

Often times toran are used in spaces other than actual doors to represent a passageway. This welcoming example from Sibella Court‘s Nomad book beckons one to enter and cozy up for a restful nap.

Provenance: Toran | Guest Edited by Jacqueline Wein | CLOTH & KIND
IMAGE | via Nomad: A Global Approach to Interior Style by Sibella Court

The Kutch region of Gujarat is particularly well known for its embroidery techniques, with specific tribes and communities having their own particular style. Shisha, which is the Indian word for little glass or mirror, is the most distinctive technique in which small mirrors decorate the textile, being held in place by a framework of overlaid embroidery stitches.  No glue is used and the mirror is not threaded through or attached in any other way. It was believed that the mirrors had the power to ward off evil spirits by trapping or confusing the evil eye. While many of the other decorative stitches, such as the chain stitch, are universal, shisha work is unique to the Indian subcontinent. It comes as no surprise to me that women are solely responsible for these creations and that motif and patterns are not copied or written down, but instead passed along orally.

Provenance: Toran | Guest Edited by Jacqueline Wein | CLOTH & KIND
IMAGE | Antique Kutch Embroidery Toran from NovaHaat.com

Base fabrics and threadwork include cotton and silk and pieces over 50 years old may also have beadwork in addition to shisha work. Motifs are varied, from very naturalistic animals to very stylized patterns and geometrics. Mismatched patchwork is also part of their charm. Museum collections have toran from the late 19th century, but most of the older pieces available on today’s market are mid-20th century. Invariably, the vintage pieces have some damage – in my mind, patina – and there are also many newly made toran available as well, although the details and quality of the silks doesn’t match that of the older pieces. The decorative possibilities, in particular for children’s rooms, are obvious. They make charming valances or would be perfect fronting a bed canopy.  Some toran are as long as 30 feet and I have seen them draping the edges of party tents as festive adornment.

Provenance: Toran | Guest Edited by Jacqueline Wein | CLOTH & KIND
IMAGE | Antique Kutch Rabari Banjara Toran via EthnicIndianArt

In modern-day interior decor, toran can be used in a quite literal context to embellish the threshold, as in this rituously joyful, over the top Indian themed space that was featured in Marie Claire Maison.

Provenance: Toran | Guest Edited by Jacqueline Wein | CLOTH & KIND
IMAGES | Bollywood Boudoir via Marie Claire Maison & Vintage Toran via IndianBeautifulArt.com

But they are also incredibly sweet when taken completely out of context and used in ways you might not expect like here, hanging over a kitchen nook in floral designer Nicolette Camille‘s Brooklyn apartment. This toran also defines and elevates what would normally be a rather simple kitchen.

Provenance: Toran | Guest Edited by Jacqueline Wein | CLOTH & KIND
IMAGE | Nicolette Camille‘s Brooklyn, NY home via Design*Sponge

Perhaps best of all is when toran are part of a truly global design aesthetic. In Maryam Montague‘s Marrakech master bedroom, featured in Elle Decor, this toran-like textile used as a window valence mixes happily with decorative items from many nations, including France, Mali, and Morocco.

Provenance: Toran | Guest Edited by Jacqueline Wein | CLOTH & KIND
IMAGE | Maryam Montague’s Marrakech master bedroom via Elle Decor

Have you used a festive toran as decoration in your home, or do you have something else to share with us on this topic? If so, we’d love to hear all about it. Please leave a comment below or email us at info(at)clothandkind(dot)com.

ABOUT PROVENANCE | Provenance offers a scholarly nod to the history of iconic styles in textile & design and is guest edited by Jacqueline Wein of the blog Tokyo Jinja. Previous Provenance topics include: Kasuri & Kuba Cloth.

Proust on Design: Todd Nickey & Amy Kehoe


what is your idea of perfect design happiness?
todd | WHEN YOU SIT IN A SPACE AND FEEL CALM AND HAPPY.
amy | THOUGHTFUL, FUNCTIONAL DETAILS -
ESPECIALLY IN KITCHENS AND BATHROOMS.

what is your greatest fear in design?
todd | THAT I WILL DO SOMETHING EXPECTED AND BORING.
amy | A MIS-MEASURE.

which historical design figure do you most identify with?
todd | THOMAS JEFFERSON – I LOVE HOW HE COMBINED
FUNCTION, BEAUTY AND INNOVATION.
amy | I ADMIRE THE RANGE OF JOSEF FRANK -
DESIGNING VERY STRUCTURED PIECES TO THE
FLORA & FAUNA INSPIRED TEXTILES FULL OF COLOR AND WHIMSY.

which living designer do you most admire?
todd | ANOUSKA HEMPLE AND MARK CUNNINGHAM.
amy | HERVE VAN DER STRAITEN (FURNITURE),
MARIA CORNEJO (FASHION).

what profession other than design would you like to attempt?
todd | A VETERINARIAN.
amy | MAKING THINGS WITH MY HANDS -
FROM SEWING/WEAVING, TO COOKING, CERAMICS, ETC.
LOVE THE INHERENT MEDITATIVE PROCESS THESE SKILLS  HAVE.

what is your greatest design extravagance?
todd | SILK VELVET AND FRINGE…OH AND TOILE – LATELY.
amy | THERE’S ALWAYS ONE ON EACH JOB - IT JUST DEPENDS.
SOMETIMES IT’S THE STONE COUNTER TOPS
AND SOMETIMES IT’S THE RUG!
BUT EVERYONE HAS A GUT REACTION TO IT
AND THE ‘LET’S GO FOR IT’ ATTITUDE!

when and where were you happiest with your design?
todd | HASN’T HAPPENED YET.
amy | WHEN THE PROJECT DOESN’T FEEL LIKE WORK ANYMORE.

what do you consider your greatest achievement in design?
todd | MAKING DIFFICULT PEOPLE HAPPY
WITHOUT FEELING LIKE I’VE SOLD MY SOUL TO THE DEVIL.
amy | THE HONOR OF CONTINUING TO WORK WITH
INTERESTING PEOPLE AND EXCITING HOMES.

if you died and came back as another designer or design object,
who or what do you think it would be?
todd | AN OLD WORN RUG…
LOTS OF STORIES AND  UN-SELF CONSCIOUS.
amy | A CHRISTIAN ASTUGUEVIEILLE PIECE.

what specific design related talent are you lacking that you would you most like to have?
todd | I DON’T DRAW VERY WELL.
amy | HONESTLY, I JUST WISH I COULD BE MY OWN HANDYMAN.

what is your most treasured design related possession?
todd | I JUST BOUGHT A BEAUTIFUL MOBILE.
FLOATING SHAPES – MADE OF THIN PLYWOOD AND PAINTED BLACK.
amy | WILLIAM MORRIS WALLPAPER IN MY BEDROOM.

what do you regard as the lowest depths of misery in design?
todd | PERGO.
amy | LACK OF MOMENTUM IN THE PROJECT.

what curse word do you most frequently use?
todd | I CAN’T’ F’ING SAY IT.
amy | DAMN IT.

what is your favorite design related word?
todd | EASE.
amy | TRANSPORTED, AS WHEN A ROOM TRULY MAKES YOU
FEEL LIKE YOU’RE IN A DIFFERENT PLACE.

what is your least favorite design related word?
todd | FABULOUS.
amy | YUMMY.

what turns you on in design?
todd | DEEP SIMPLICITY.
amy | WHEN A SPACE IS BOTH UNEXPECTED & TIMELESS.

what turns you off in design?
todd | GRANITE.
amy | A ‘SHOWROOM’ VIBE.

what is your motto in design?
todd | KEEP IT REAL.
amy | BE OPEN & STAY CREATIVE EVERY DAY,
AND TAKE A GOOD STEP BACK WHEN YOU NEED TO.

IMAGE CREDITS | Amy + Todd Headshot, Plein Air SeascapeTextile Gröna Fåglar 100 LinenJosef Frank Headshot, Richard Saja Embroidered Toile, Jessica Light Kanazara Collection Fringe, Vintage RugChristian Astuguevieille Mirror, Nickey Kehoe Designed Venice Beach Residence, Amy Kehoe’s William Morris Wallpaper.

Lovely List: Traditional Home, March 2013

Following are a few of my favorite lovelies from this month’s Traditional Home. I especially enjoyed the American Red Cross Designers’ Showhouse (psst… you can shop the look at Dering Hall). Which are your favorite images or articles from this issue?

page 21 | 28 | 49 | 28 | 52 | 92 | 81 | 49 | 23

IMAGE CREDITS | All photographs are from Traditional Home‘s February March 2013 issue.

Details: Glass Vase Bureau


This lovely dresser from Anthropologie incorporates fabric behind glass on the drawer fronts. Pretty, pretty detail.

Inspired: Amy Sklar

I was just introduced to Amy Sklar by a friend of mine and was instantly enchanted with her incredible design aesthetic. Her recent installation at Woven Accents in LA, especially, had me drooling.



Amy shared some insight on this project with me…



“The Woven Accents showroom is such a great place, they recently moved into a beautiful expansive gallery space across from the Pacific Design Center, and started inviting designers that they have worked with in the past to curate the front area using their incredible rugs as backdrops.”



“A fantastic rug can sometimes be the most important (and sometimes costliest) element in a room, so I really felt like a kid in a candy shop!!! They gave me free rein with their inventory, and I was able to collaborate with one of my favorite furniture showrooms in LA called Lawson-Fenning. That combined with items I had collected over the years, and kids collections from Little Nest and Bla Bla Kids, we were off and running.”

Abraham Moradzadeh and his son Sam have such a great eye, and the collection in the showroom is really, I think, one of the best in LA.”
- Amy Sklar, Amy Sklar Design Inc. 

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